American Musicological Society, Boston 2019

I am very pleased to be presenting a paper entitled “Sounding the Interrogative: Cadential Attenuation as Syntactic Device in the Madrigals of Sigismondo d’India” on Friday, November 1, at the 85th annual meeting of the American Musicological Society. The session, to be chaired by my friend and colleague Joel Schwindt (Boston Conservatory), is entitled “RhetoricalContinue reading “American Musicological Society, Boston 2019”

Conference on the Italian Madrigal

On the weekend of September 15–16, I will be traveling to Colgate University in Hamilton, New York, to give a presentation at the Third Annual Conference on the Italian Madrigal. My talk is entitled, “Hearing the Interrogative in the Polyphonic Madrigals of Sigismondo d’India: A Quantitative Analysis.” The talk is scheduled for a Saturday morningContinue reading “Conference on the Italian Madrigal”

Maximalism and the Nineteenth-Century Orchestral Style

”In a successful academic career, the dissertation is eventually going to be the worst piece of scholarship you’ve ever produced.” This classic piece of advice already feels right, in some respects, but I am nevertheless proud to report that I successfully defended my dissertation yesterday afternoon. Only some minor revisions now lie ahead. Here isContinue reading “Maximalism and the Nineteenth-Century Orchestral Style”

The Diegetic Music of Berg’s Lulu

I am happy to announce that the Journal of Musicological Research has published my very first peer-reviewed research article, entitled “The Diegetic Music of Berg’s Lulu: When Opera and Serialism Collide,” in their January 2016 issue. Please visit my research page to view the complete citation information. Alban Berg set his only serialist opera, Lulu, in the tumultuousContinue reading “The Diegetic Music of Berg’s Lulu”