Research

Here are two of the major research projects that I’m working on:

Music Publishing in the Nineteenth Century. Most of my work investigates the world of nineteenth-century music publishers and their artistic influence on the style of composers from the period. The project relates to a broader study of maximalism (the subject of my doctoral dissertation) and other modes of stylistic development. Read more…

Sixteenth-Century Polyphony. I also enjoy subjecting corpora of sixteenth-century polyphony to formal empirical analysis, taking a quantitative approach to questions of text setting in the Italian madrigal. Read more…

Peer-Reviewed Research Articles

  • “Hearing the Interrogative in the Cadences of Sigismondo d’India: A Quantitative Analysis of the Polyphonic Madrigals.” Intégral: The Journal of Applied Musical Thought 36 (June 2023): 103–128. https://www.esm.rochester.edu/integral/36-2023/strykowski/
  • “The Negotiation of Nineteenth-Century Style: A Case Study in Composer–Publisher Relations.” International Review of the Aesthetics and Sociology of Music, vol. 49, no. 2 (January 2019) [backdated to 2018]: 217–242. https://www.jstor.org/stable/26844645
  • “The Business of Composition: Measuring Economic Relationships at Breitkopf & Härtel, 1798–1838.” Notes: The Quarterly Journal of the Music Library Association, vol. 74, no. 4 (June 2018): 574–602. https://doi.org/10.1353/not.2018.0034
  • “Text Painting, or Coincidence? Treatment of Height-Related Imagery in the Madrigals of Luca Marenzio.” Empirical Musicology Review, vol. 11, no. 2 (January 2017) [backdated to 2016]: 109–119. https://doi.org/10.18061/emr.v11i2.4903
  • “The Diegetic Music of Berg’s Lulu: When Opera and Serialism Collide.” Journal of Musicological Research, vol. 35, no. 1 (January 2016): 1–22. https://doi.org/10.1080/01411896.2015.1082066

Digital Projects

Miscellaneous

My complete C.V. is available on request.